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Archive for 2011
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Indispensible and gritty advice on the stagecraft of fringe venues.
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The archive from 2010 of the thoughts of FringeReview founder - Paul Levy
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What is failure, asks Paul Levy
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Paul Levy, FringeReview founder, shares some tips on failing press releases
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Fringe Review's Twelve Turnaround Tips when it's all fallen to pieces...
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Can a Fringe show suffer from over-elaboration? What does Intimism, a movement in art, have to offer? Paul Levy explains...
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The 2009 Archive
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A short look at the heart of improvisation and spontaneity.
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Our vital checklist for performance flakery
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Paul Levy shares some wisdom about arriving at Edinburgh in full flow and readiness to succeed with your Fringe show
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The FringeReview Definitive Guide to Horizontal Flyering!
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You neglect your show's get-in at your peril. Read our guide to hitting the ground running.
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What is the role of a "preview" night at a Fringe Festival?
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Our guide to flyering - the tips the others don't tell you!
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Who Will Carry The Word is currently playing at the Courtyard Theatre in Hoxton. Catherine Hinds, an audience member felt compelled to send in a review to us here at FringeReview of the production. As a result of this it is likely that the London team will endeavour to have regular contributions from audience members like Catherine. We hope you enjoy her review.
The play runs Tues - Sun, 8pm, until July 5. Tickets £12, £10 concession.
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FringeReview catches up with Latitude's theatre programmer Tania Harrison to get the low down on this year's festival.
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Our brief guide to heading downhill at a Fringe Festival
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Deputy London Fringe Editor Honour Bayes talks with Jasmine Cullingford about not pigeon-holing ourselves and the importance of creating and developing new artistic and venue partnerships within the Fringe.
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FringeReview conducted a recent Twitter poll into why people walk out of theatre shows. The results are surprising...
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Paul Levy shares conventional and unconventional flyering wisdom
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For Once I Was is a fascinating new play on Alzheimer's now playing at the Tristan Bates Theatre. Commissioned by Rebecca Stevenson, whose father suffered from an early onset of this disease, it aims to raise awareness and break down barriers surrounding the UK's most common form of dementia. In the first of a two part Q&A Rebecca and writer Jon Cooper sit down to answer Fringe Review's questions:-
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Why is it "Fringe"? What makes Fringe unique?
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With budgets squeezed ever tighter this year, FringeReview offers ten tips for staying on top of your fringe production budget during 2009
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FringeReview's editor, Paul Levy, offers advice on how to screw up a review...
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Mary Mazzili’s new play The Wrong Sleep is the newest production from theatre company Educated Guess. Skye Crawford caught up with Mazzilli and Director Sharon Enav last week to chat about the show before its debut in the Camden Fringe Festival in August.
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Follow the exploits of our trusty FringeReview columnist, FringeReview founder Paul Levy.
2nd February 2012
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Some reflections on recent feedback sent to FringeReview
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A wry look at staging a show at the Edinburgh Fringe
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